JAZZ IMPROVISATION
Get Unlimited Access to ALL the Lesson Downloads and More! Check out the Elite Membership HERE!
NOTE: Click on “Older Entries” at the bottom of this page for more lessons or see the complete list on the PREMIUM page.
The Locrian-Lydian Exchange
Please take a brief moment to consider this scenario… After a substantial amount of time practicing your major II-V chords and scales, you finally decide it’s time to do the same with the minor II-Vs. Next thing you know, you’re confronted with 2 of the most...
Oleo-Miles Davis Solo from Relaxin’
If you’re serious about jazz, I’m sure you know the importance of being able to improvise over the I-VI-II-V progression. There are hundreds of standards featuring these changes, so its mastery is crucial. But note that although this progression may appear over a...
Joe Henderson Vocabulary
I have found that when talking about influential saxophonists, especially among guitarists, Joe Henderson is not necessarily a household jazz name, as is the case with Charlie Parker and John Coltrane. Nonetheless, if you talk to any professional saxophonist today and...
Deconstructing Jim Hall
In this lesson I explore the style of one of the most influential jazz guitarists of the latter half of the 20th century. And I’m referring to Jim Hall who has often been called "the father of modern jazz guitar". I started out listening to the likes of Wes, Barney...
What Michael Brecker Practiced (The 12 Bar Jazz Etude)
If you’re familiar with the late Michael Brecker, you already know that he has been regarded as one of the greatest improvisers in jazz history, right up there with John Coltrane, who in turn was one of his primary influences! And I’m not just referring to his...
Vertical Triad Pairs
In this lesson I want to introduce you to a concept that you’ve most likely heard in the playing of many great post bop improvisers such as Herbie Hancock, John Scofield, Joe Henderson and countless more! You’ve probably heard about triad pairs. Simply put, they...
Blue Bossa – George Benson Solo
Hope you had a chance to check out my recent lesson on harmonizing “Blue Bossa” using the 6th diminished concept associated with Barry Harris. As a follow up, I decided to transcribe one of my favorite improvised solos over Blue Bossa. And it’s by the great George...
The Bebop Anacrusis
If you’re wondering what on earth anacrusis means, it’s simply the proper term in written music for what we otherwise would call a “pick up”. And in this lesson I am excited to demonstrate this seldom taught melodic and rhythmic device in the unique context that it is...
Self Accompaniment-Major II-V-Is
If you’re a jazz guitarist, at some point you’ve probably experienced what I like to call... pianist envy! This is the result of watching keyboard players use their left hand to comp with chords, while independently improvising intricate lines with their right hand....
Major b6 Pentatonics: Coltrane Perspectives 3
This is the 3rd in a series of Coltrane Guitar Perspectives on using pentatonics. In the previous 2 installments, I showed you how the legendary John Coltrane pioneered the use of the common minor pentatonic and the kumoi pentatonic of Japanese origin by...
Harmonic Minor Modes
Are you familiar with the modes of the harmonic minor? If you're like the great majority of jazz guitarists, or musicians in general, the answer is probably “No”! When was the last time you used the Romanian scale or the Lydian #2 when improvising over a standard?...
Kumoi Pentatonics: Coltrane Perspectives 2
This is the 2nd in a series of "Coltrane Guitar Perspectives" on using pentatonics. If you missed the first one be sure to check it out here. In it I show you how the legendary John Coltrane pioneered the use of the common minor pentatonic in jazz by super-imposing it...
Minor Pentatonics: Coltrane Perspectives 1
If you’re a guitarist, I wouldn’t be surprised if the very first scale you ever learned is the minor pentatonic ! And most likely…you first learned it to solo either over the blues or your favorite rock tune. But if you’re like most guitarists who get into jazz, it’s...
Major 9th Arpeggio Superimposition
If you’re an intermediate to advanced player, do you ever get tired of hearing yourself play the same old lines when improvising? Maybe you’re just in need of expanding your vocabulary or simply exploring some new melodic perspectives. If so, in my newly posted video...
Jazz Motifs with Common Tones
An important resource that great jazz musicians use in order to tell a story when improvising, is the element of repetition. This is often done by stressing a note that is common to various consecutive chords in a progression. And it is effective because it creates a...
Jazz Improvisation Over-Simplified
If you’re starting out with jazz improvisation and you’re overwhelmed with the amount of chords in a 32 measure standard, I think this lesson will be of utmost help. In it I show you how to improvise over almost any standard by reducing it down to its bare-bone...
Bluesify your Bebop with Double Stops
Do you employ double stops in your playing? In case you’re not familiar with the term, it was first devised by violinists to denote 2 notes played simultaneously. Nonetheless, it is applicable to any any polyphonic instrument! You’ve probably heard and identified the...
The Most Useful Scale In Jazz
If you had to pick just 1 scale to learn in order to use over most standards, what would it be? Some say the major scale or one of it modes such as the dorian or lydian. Others swear by the so called bebop scale. But if you had to use any of those scales exclusively...